Rabu, 03 April 2013

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Harry Potter Page to Screen: The Complete Filmmaking Journey, by Bob McCabe

Harry Potter: Page to Screen, the follow-up to the New York Times bestseller Harry Potter: Film Wizardry, is a lavish and personal look at the entire filmmaking process that transformed J. K. Rowling’s fantasy series into a blockbuster movie franchise. Featuring all-new interviews with Daniel Radcliffe, Emma Watson, Rupert Grint, and Michael Gambon, behind-the-scenes anecdotes from producer David Heyman, production designer Stuart Craig, and director David Yates, and hundreds of never-before-seen photographs and concept illustrations, this book is the ultimate compendium for Potter fans young and old.

  • Sales Rank: #10148 in Books
  • Brand: Other Manufacturer
  • Published on: 2011-10-25
  • Released on: 2011-10-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 13.00" h x 9.75" w x 1.75" l, 7.34 pounds
  • Binding: Hardcover
  • 540 pages

Amazon.com Review

A Look Inside Harry Potter Page to Screen
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From the Back Cover

Harry Potter: Page to Screen opens the doors to Hogwarts castle and the wizarding world of Harry Potter to reveal the complete behind-the-scenes secrets, techniques, and over-the-top artistry that brought J.K. Rowling’s acclaimed novels to cinematic life. Developed in collaboration with the creative team behind the celebrated movie series, this deluxe, 500-plus page compendium features exclusive stories from the cast and crew, hundreds of never-before-seen photographs and concept illustrations sourced from the closed film sets, and rare memorabilia. As the definitive look at the magic that made cinematic history, Page to Screen is the ultimate collectible, perfect for Muggles everywhere.

About the Author
Bob McCabe is a noted film critic, broadcaster, journalist and screenwriter. He is the author of Dark Knights and Holy Fools: The Art and Films of Terry Gilliam and several other film books, including authorised biographies of The Pythons and Ronnie Barker, The Rough Guide to Comedy Movies and the BFI book on The Exorcist.

Most helpful customer reviews

177 of 180 people found the following review helpful.
Behold - the magic of the HP movies in one glorious tome!
By Z Hayes
A tome this most certainly is! Harry Potter Page to Screen: The Complete Filmmaking Journey is a behemoth of a book, and I had not expected it to be this huge (not that I'm complaining). It is an oversized hardcover with an embossed photograph of Hogwarts on the cover. It looks like a magickal volume and in a way it is, for it captures all of the magic of the Harry Potter movies, from Harry Potter and the Sorcerer's Stone all the way to Harry Potter and the Deathly Hallows, Part Two. Any self-avowed fan of the HP stories and movies will treasure this beautiful volume filled with movie lore, and many more.

The first color photograph one comes across as one flips the book open is a full size portrait of Albus Dumbledore, Headmaster of Hogwarts (Michael Gambon, who played Dumbledore in HP films 3-8). His face expresses both concern and puzzlement, and it is almost as if he is there to welcome readers on a journey of knowledge and discovery which is what this book ultimately rewards the reader with. Flip to the next page, and one's attention is captured by a double-page (full spread) painting of Hogwarts, majestic in all its splendor, though details are rather fuzzy. There is also a fold-out spread of the main cast in movies 1-8 - the actors portraying Dumbledore, Hagrid, Hermione, Harry, Ron, Snape, Lucius Malfoy, Prof McGonagall, Luna Lovegood, Ginny Weasley, the twins Fred and George, the Dark Lord, and many more.

So, the contents...the book (531 pages) is divided into three parts:
Part I: The Making of Harry Potter
Introduction
Setting the Scene
HP and the Sorcerer's Stone
HP and the Chamber of Secrets
HP and the Prisoner of Azkaban
HP and the Goblet of Fire
HP and the Order of the Phoenix
HP and the Half-Blood Prince
HP and the Deathly Hallows

Part II: The Art of Harry Potter
Introduction
Characters: Costuming
Locations: Set Design
Creatures: Special Makeup and Digital Effects
Artifacts: Prop Making

Part III: Epilogue
The Golden Boards
Acknowledgements and Colophon

The book goes in-depth into the many aspects of the film-making process, including valuable insights from and about the directors, actors, and all the other significant people who have worked on the movies, not forgetting the author of course. If you've ever wondered how the cast was put together, the process by which the directors for the movies were picked, etc. then this wonderful book answers all these questions and more. These details are enhanced by the hundreds of photographs that are found throughout the book, and what makes these pictures all the more extraordinary and valuable to the discerning reader is the fact that many of them were taken on set, during the making of the films, and apart from the photographs there are also full-color paintings in glorious detail. As a dragon fan myself, I was positively enraptured by the concept art of Paul Gatling depicting the mighty Hungarian Horntail in all its wondrous glory, which dare I say surpassed even the beauty of the dragon depicted on film? These are not minuscule drawings, but large-scale drawings in fold-out form. Other magical creatures get their share in this book such as the centaurs, dear old Buckbeak, the thestrals, the dementors, the process of transformation of Remus Lupin into a werewolf and many more. Be still my beating heart!

Remember all those newspaper headlines from The Daily Prophet, the Quibbler editions, and the Wanted Posters? They are depicted here in detail and also in the case of The Quibbler, in color! Ever wondered about the inspiration for those Death Eater's Masks? Its covered here in full-color. The significant places in the world of Harry Potter - Hogwarts, Diagon Alley (loved the map), the Burrow, Hagrid's Hut, the Forbidden Forest, and many more are also given descriptions and explanations in this magnificent volume.

As I continue reading through this tome, I have found some little things to gripe about - certain characters, albeit minor ones, are not really given any coverage, just a mere mention. Remember the ghost that haunts the abandoned toilet in Chamber of Secrets, i.e. Moaning Myrtle? Just a mention and that's it. I would have loved to see at least some description of the filming of the bathroom scene in HP and the Goblet of Fire in which Moaning Myrtle makes another appearance and helps Harry puzzle out the riddle, but no such luck. The book does however go into detail about the second task and the glorious underwater lake scene in Goblet of Fire, and how the lifecasts were conceived and made. But poor Hedwig gets left out here - except for a brief mention on p.238 and concept art depicting Harry and Hedwig overlooking Hogwarts.

Btw, for those who are wondering about how this compares to Harry Potter Film Wizardry, I'd say they are both complementary (I own a copy of HP Film Wizardry) to each other. While Page to Screen provides more details on the movie-making process and covers just about everything (I say just about as there are some things not covered), Film Wizardry provides more of an overview with many fun elements thrown in for devoted fans such as the various foldouts and inserts. For example, in HP Film Wizardry, readers will get a chance to peruse a copy of the Marauder's Map, Harry's acceptance letter to Hogwarts, a catalogue from Borgin and Burke's, stickers in the Advanced Potion-Making pamphlet, two boxes of treats (sans the treats) from Honeydukes of Hogsmeade (you can tear them out and fold them into actual treat boxes, not that I would!), a Quidditch World Cup Programme, a copy of the Yule Ball Programme, Educational Decree No. 29, a product catalogue of Weasley's Wizard Wheezes, and a Ministry of Magic ID card. Such goodies are not to be found in Page to Screen, so I'd definitely recommend getting both books. I've frequently found myself reading both together, and comparing notes.

My one complaint here is the absence of an Index - how could they have produced such a wonderful companion book to the movies and not have an index to help readers look up any detail that springs to mind? I can't fathom it, but I envision myself spending lots of quality time enjoying the delights of this book, so I shall not let this trouble me too much:) In fact, I am sorely tempted to purchase another book to keep as a collector's item as I can see myself thumbing through this copy until it becomes dog-eared! This is a beautiful volume of substance for any fan of the HP books and movies.

64 of 64 people found the following review helpful.
Wonderfully detailed, beautifully written
By Parka
[[VIDEOID:mo4V68212KHFO9]]This book exceeded all my expectations, and it certainly befits the Harry Potter film saga.

This is a large format 532-page hardcover. It's so huge and hefty so you can't really hold it for reading without resting it on something, like your lap. The cover is beautifully designed with an embossed title and a window looking at Hogwarts.

There are three parts to the book. The first is "The Making of Harry Potter" and covers the complete film making process of all the seven Harry Potter titles. The second is "The Art of Harry Potter" and that covers the characters, locations, creatures and artifacts. The third is the epilogue. It took me several days to finish reading.

I want to make special mention on the layout of the content which is beautiful and thoughtful. All the stunning photos and art are published at high resolution. On some pages, there are illustrations or patterns printed on a thin gloss that gives the page a slight shine as you flip over. The text is set on light cream coloured paper. There's an illustrated drop cap that starts every chapter, and every section in the chapter ends with a nice symbol. Even the choice of typography used is excellent.

The first part featuring the film production stories are a joy to read. It starts right at the beginning, from getting the copyright to make the films, to casting and filming right to the last day. There are lots of interesting details to read about, such as interactions between the actors and film crew, how the stage and props are made and the challenges and considerations of filming.

You read about how the children were like deers in the headlight on their first day of filming. There were extensive laughing, constant looking into the camera. As you read along towards the last film, you know how much they have grown as actors.

The writing is wonderful. The author Bob McBabely is a master at weaving the stories, controlling the flow and transition from one section to another. There's a part where Emma Watson admits to having a crush on Tom Felton and in the next sentence Tom Felton says,"Poor Emma. Of course I knew; it was obvious. But I never mentioned it.". There amount of research and interviews done must be incredible. Every film crew mentioned are given introductions and a thorough background on what they do.

The stories on set designs are really interesting. You can find out how sets are constructed, like Hogswarts and all the different rooms and secret locations. I thought the underwater scene in Goblet of Fire was totally CGI but it turned out that Daniel Radcliffe actually had to swim, while holding his breath, and act in a water tank. And of course, there are details on how that water tank was built, with heaters, bacteria-killing UV lights, and the little things that don't cross our minds.

The second part of the book is sort of like the encyclopaedic look at the characters, locations and artifacts. There are staff commentary on everything. You can look into the different classrooms of professors, read The Daily Prophet, check out The Weasleys' tent at the Quidditch World Cup, marvel at the different broomstick designs, etc. Amazing and detailed photos of the sets fill the pages.

There are concept art in the book as well, and they are great. There are designs for Dobby, dragons, props, environment art, etc. This is the only book where you can see them because there aren't any Harry Potter art books.

This book is highly recommended to fans of the Harry Potter films. It gives a new sense of appreciation for the film and the people who worked behind the scenes. It's something you'll want to make the magic last a bit longer.

- Compared to Harry Potter Film Wizardry -

Harry Potter Film Wizardry is like a condensed version of Page to Screen. Much of the content in terms of text and photos are duplicated. There are some information and photos that are not included in Page to Screen though. That book is designed like a scrapbook with little goodies -- booklets, stickers, maps, even Harry's letter of acceptance to Hogwarts, etc - attached to the pages. The layout is nice, magazine-like.

If you're just looking to get one book, then there's no doubt about choosing Harry Potter Page to Screen. If you're the true blue Harry Potter fan, then of course you'll want both books.

23 of 23 people found the following review helpful.
Comprehensive & absolutely spectacular.
By Kathleen R. Tappel
For any Harry Potter fan, this is something you must add to your collection. It covers literally every topic under the sun in the making of the movies of Harry Potter, and it is all laid out beautifully in this enormous volume. I am in awe of the sheer amount of content. I read it for about an hour and a half on the day I received it, and I made an incredibly small dent. Though it does not include the props and replicas that "Film Wizardry" has, but this is intended to be more of an encyclopedia; "Page to Screen" goes into depth on topics that its predecessor only touched upon. The price may seem steep, but it's worth every penny.

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Kamis, 28 Maret 2013

[I784.Ebook] Download Audio Power Amplifier Design Handbook, by Douglas Self

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Audio Power Amplifier Design Handbook, by Douglas Self

This book is the essential reference for audio power amplifier designers and engineers. Author Douglas Self covers all the issues of distortion and linearity, power supplies, protection, reliability and layout. He also tackles unusual forms of compensation and unexpected sources of distortion such as capacitors and fuses.
This much expanded and updated Fifth Edition includes four NEW chapters, one of them dedicated to the XD crossover-displacement principle, invented by the author, and used by Cambridge Audio. The book has a wealth of new material on four-stage amplifier architectures, current-mirrors, power transistors with internal sensing diodes, amplifier bridging, subtle distortion mechanisms, input stage common-mode distortion, double input stages, amplifier stability, output stages with gain, transformers and hum fields, inrush current suppression, DC servo design, thermal protection, the subtleties of cooling fan control, advanced line input stages, ultra-low-noise design, high and low-pass filtering, testing and safety, infra-red control, signal activation, 12V trigger, level indication and much more. There is significantly expanded material on professional power amplifiers as used in sound reinforcement and PA applications.
This book is a must-have for audio power amplifier professionals and audiophiles, amateur constructors and anyone with intellectual curiosity about the struggle towards technical excellence.

  • Sales Rank: #1477244 in Books
  • Published on: 2009-07-31
  • Released on: 2009-07-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.37" w x 7.50" l, 2.20 pounds
  • Binding: Paperback
  • 606 pages

From the Back Cover

This book is the essential reference for audio power amplifier designers and engineers. Author Douglas Self covers all the issues of distortion and linearity, power supplies, protection, reliability and layout. He also tackles unusual forms of compensation and unexpected sources of distortion such as capacitors and fuses. This much expanded and updated Fifth Edition includes four NEW chapters, one of them dedicated to the XD crossover-displacement principle, invented by the author, and used by Cambridge Audio. The book has a wealth of new material on four-stage amplifier architectures, current-mirrors, power transistors with internal sensing diodes, amplifier bridging, subtle distortion mechanisms, input stage common-mode distortion, double input stages, amplifier stability, output stages with gain, transformers and hum fields, inrush current suppression, DC servo design, thermal protection, the subtleties of cooling fan control, advanced line input stages, ultra-low-noise design, high and low-pass filtering, testing and safety, infra-red control, signal activation, 12V trigger, level indication and much more. There is significantly expanded material on professional power amplifiers as used in sound reinforcement and PA applications. This book is a must-have for audio power amplifier professionals and audiophiles, amateur constructors and anyone with intellectual curiosity about the struggle towards technical excellence.

About the Author
Douglas Self has dedicated himself to demystifying amplifier design and establishing empirical design techniques based on electronic design principles and experimental data. His rigorous and thoroughly practical approach has established him as a leading authority on amplifier design, especially through the pages of Electronics World where he is a regular contributor.

Most helpful customer reviews

3 of 3 people found the following review helpful.
A wonderful book, but not easy to read on the Kindle
By Simon Manley
The 4 stars is specifically for the Kindle edition. The content of the book, and the print edition, is 5-star material.

But like so many technical books, the diagrams do not fare well on the small monochrome Kindle screens. It is essential to zoom the image, but even enlarged they seem pale and blurry. This is a problem with the b/w Kindle hardware, not the file compression algorithm: the images look fine on a full-size computer screen through the "Kindle for PC" application. For diagrams to display properly on the monochrome Kindles, however, they need redrawing with heavier line-weights -- an impossible ask for a publisher with a technical book already in print and containing thousands of images.

Douglas Self is the grand master of audio engineering. In the best British tradition, his focus is on the engineering: performance, reliability, safety. This is a refreshing change from much of the audio industry, where outlandish ideas yield vastly overpriced exotica whose performance is so mind-bogglingly awful the shortcomings are apparent not only on the test bench, but plainly audible in the lounge room.

While giving an encyclopaedic coverage of amplifier configurations, the greatest space in the book is devoted to optimization of what the author charmingly calls the "Blameless Amplifier," with a differential input stage, a voltage-gain stage with dominant-pole compensation, and a unity-gain, current-amplifying output. Common sense and practical experience shine through in every aspect of the text. The book contains many memorable quotes, such as this dismissal of the alleged strange properties of speaker cables: "Anyone prepared to believe this nonsense will not be capable of designing amplifiers, so there seems no point in further comment."

Perhaps the only criticism of the content is not so much a reflection the author, as a sad comment on modern life. It is the scant attention he gives to the only two truly radical advances in amplifier design since the industry settled on the 3-stage Class-B configuration with single, dominant-pole compensation. These are the feed-forward error correction used in Peter Walker's iconic Quad 405, and the NDFL technique invented by Edward Cherry back in the 1980s. NDFL, in a practical design with only a handful of extra components compared with a conventional circuit, reduces distortion across the audio bandwidth to a few parts per million, smashing previous records by at least an order of magnitude. The key insight in NDFL is that the requirement for stability of a gain-block is not that its open-loop gain falls at 20 dB per decade as in Bode theory, but rather that the DIFFERENCE between the open- and closed-loop gains falls at this rate. Nesting several loops that meet this more specific criterion allows large increases in feedback without compromising stability or requiring exotic devices. The sad aspect is that our most respected senior audio engineer has "never found the time" to investigate this revolutionary development.

In view of some of the comments from other reviewers, we should clarify the intended readership of this book. It is NOT for beginners. It assumes that the reader is fully familiar with basic circuit theory and the properties of common active devices. If you have fond memories of building radios or stereo gear from kits, or were a keen reader of electronics magazines, this book is for you. Radio amateurs, computer engineers and those with experience in other areas of electronics will find it the perfect way to get their head around the intricacies of audio power amplifier design.

Many would no doubt describe this work as a "reference book." It is not. It is the kind of book you read through, cover to cover, reflecting on your own experience and enjoying the insights given by a wise engineer who looks back on half a century of developments in electronics.

1 of 1 people found the following review helpful.
great book to learn how to have THD below 0.005% in power amps
By Berkeley
This book was very informative for me to understated power amp topologies and ways to reduce distortion. I am hobbyist with who studied EE in college, but I am not involved in circuit design at work.

One of autos' goals in this book is to show how to isolate each source of distortion so that it can be studied (and hopefully reduced) with a minimum of confusion and perplexity.

The 7 kinds of distortion of class B amps are discussed with graphs and schematics. Amplifier topologies reviewed from simple to more complex.

Most schematics in the book are based on bipolar transistors. No opamps are discussed and FETs discussed in one chapter.

The author provides good bibliography after every chapter so you can read actual research papers.

After reading this book i was able to understand schematics of my power amplifier, receiver and headphone amps :)

3 of 4 people found the following review helpful.
A Must-Have for the bookcase.
By Catraeus
Doug Self is to Amplifier design what Jack Nicholson is to Movies ... a consummate expert. This latest edition grows subject areas and fills in details in a very satisfying way. I am pleased that he takes fewer basic details for granted. I am still looking for a quick-reference, which his website did provide; furthermore, being an anti-subjectivist myself, I do wish he'd leave that matter behind entirely. Altogether, though, this is a foundational text on the subject which fully enables anyone skilled in the art to go from competence to mastery. He provides a very complete reference list enabling any depth of historic or esoteric follow-on research. It will be a daunting tome for someone just starting, well worth the effort. Even the hobbyist, merely curious, or non-technically adept will find insight to be used in purchasing or kit-building.

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Selasa, 26 Maret 2013

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Food and Beverage Cost Control, by Lea R. Dopson

Foodservice managers need a firm understanding and mastery of the principles of cost control in order to run a successful operation. With Food and Beverage Cost Control, Fifth Edition, Dopson and Hayes have created a comprehensive resource for both students and managers. Written in a user-friendly style, this text provides the necessary foundation in accounting, marketing, and legal issues, as well as foodservice, production, and sanitation. It also offers practical pedagogical tools, including chapter overviews, outlines, highlights, feature boxes, problems, Web links, technology tools, and key terms and concepts.

  • Sales Rank: #345536 in Books
  • Published on: 2010-03-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.47" h x 1.37" w x 7.72" l, 2.55 pounds
  • Binding: Hardcover
  • 576 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By rodney
very nice

0 of 0 people found the following review helpful.
a polished mostly old version of the book with a ...
By Amazon Customer
a polished mostly old version of the book with a few new words

0 of 0 people found the following review helpful.
Five Stars
By Sophia Merrill
Book condition was as described. Would buy again. Thank you!

See all 18 customer reviews...

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Kamis, 14 Maret 2013

[V861.Ebook] Get Free Ebook Melody in Songwriting: Tools and Techniques for Writing Hit Songs (Berklee Guide), by Jack Perricone

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Melody in Songwriting: Tools and Techniques for Writing Hit Songs (Berklee Guide), by Jack Perricone

(Berklee Guide). Melody is a subject too often neglected in the teaching of music. This unique resource gives melody that attention it deserves, and proves that melody writing is a skill that can be learned. Through proven tool and techniques, you will learn to write interesting melodies, how melodic rhythm influences rhyme, what makes harmony progress, and the many dynamic relationships between melody and harmony. This clear and comprehensive approach to songwriting unlocks the secrets of popular songs, revealing what really makes them work. Examples of great songs by such notable songwriters as Lennon and McCartney, Diane Warren, Robert Palmer, and more, provide a close-up illustration of the songwriting techniques employed by these masters of the industry. This is the book used in Songwriting classes at Berklee College of Music. The exercises provided make it a wonderful self-teaching manual and a great addition to any general theory course of any level. Use the tools presented in this book to help fine-tune your craft and start writing hits!

  • Sales Rank: #258527 in Books
  • Brand: Berklee Press
  • Model: 50449419
  • Published on: 2000-05-01
  • Released on: 2000-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .47" w x 9.00" l, 1.36 pounds
  • Binding: Paperback
  • 192 pages
Features
  • 182 pagesSize: 12" x 9"Composer: Jack PerriconeISBN: 063400638X

Most helpful customer reviews

80 of 81 people found the following review helpful.
A great book on melody
By Jack
This is a good book, well written , and clearly laid out. It offers the reader a methodical approach to writing better melodies by showing you that good melodies are the result of contrast, balance and fluidity. It also covers harmony and its relationship with melody giving examples from popular songs. The book is a refreshing change as it does exactly what it says on the cover; it looks at melody within song writing, and approaches it as a serious subject to be studied and learned. If like myself you get slightly lost every now and then, read the chapter through, go back and read it again, its really worth it because once this stuff begins to sink in, you go away and see what he's talking about as soon as you turn on the radio or listen to your favourite music. I say a refreshing change because it differs from other song writing books that I have recently purchased with titles such as "How To Write That Hit!" etc which seem to spend about 3 pages telling you how to write songs then divide the rest of the book between telling you how to "Pitch that song in the market" or patronising the reader with little cute stories about how they wrote their half a hit that came out 200 years ago "Oh and then Bruce, as in Springsteen, called up asking how the song was coming along, it was all so hilarious". We don't want cute stories , we want guide lines to the craft of writing beautiful songs. Lastly, in this book, Perricone does not attempt to suggest that technique is more important than inspiration, indeed he says that both work hand in hand, each one necessitating the other. As an aspiring young song writer myself I have often heard this debate between those that believe in the dreaded technique, and those that believe in inspiration alone. The argument on the one hand goes, the decline of the modern pop song is due to the fact that writers no longer learn their craft, long gone are the golden years of song writing (Berlin, Porter, Rogers and Hart etc.). On the other hand, I've heard lots of song writers (none of whom ever got a publishing deal!) saying "you dont need to learn technique, inspiration is what I use". often said with a kind of religious conviction. The example people in this camp always wheel out is the fact that, yes neither Lennon nor McMartney read or wrote music. What these people seem to fail to comprehend is that both Lennon and McCartney were almost musical scholars when it came to the popular songs of their time, analysing, dissecting and pinching sections of these songs. Anyone who's ever read "Revolution in the Head" by Ian Mcdonald (a fantastic book!) will tell you so. My own point of view is consistent with that of Perricone. Having read his book I feel that the knowledge of a little technique has only propelled and projected my creativity and to me at-least it seems preposterous that song writers should think that they need not learn a little craft. Try and become a painter or a carpenter with out a little technique. Now after years of heart ache, not knowing how to develop that little melody in my head and putting the guitar down after five minutes to make a cup of coffee, with a little know how, I am writing better songs. At least my girlfriend thinks so!!! Go and create people! We need good songs to wrap up our memories. Best wishes, jack.

86 of 88 people found the following review helpful.
TRIPLE-A FOR "STUCK" SONGWRITERS!
By middlemoo
Jack Perricone is a great admirer (and practitioner!) of the pop song, and in this book he outlines successful strategies for songwriters to get back IN the groove, or to break OUT of their writing "ruts". Granted, this material may seem rather "heady" at times, and less intuitive than we like to think creativity is, but when you need a jumpstart to get back on track, you'll be glad to have this assortment of options at hand. Although this book is nominally about Melody only, the author includes all other song components as they interact, and provides a fresh perspective and analysis on how and why certain songs reach us and connect with the public. There's as much respect shown toward rock and blues songs as more traditional pop, and a lot of very valuable stuff for writers of ALL styles of songs.

50 of 50 people found the following review helpful.
It's About Composition, Plain and Simple
By frankp93
This terrific book examines what might be called a "theory of melody" as applied to songwriting, although many of the principles Perricone demonstrates come straight out of classical composition and could be applied to melody in many contexts

other than popular song.

The author wisely divides the work into two large areas he calls

"Melody: Its Components" and "Melody-Harmony Relationships". Separating the horizontal and vertical aspects of melody is an effective learning tool, though such a line would likely never be drawn in the intuitive act of composing.

The Components part of the book deals with the behavior of tones and the contruction of melody: the influence of rhythm on phrases, devices to develop and contrast motives

and the expansion of this basic material into larger sections is covered.

The second part of the book introduces the harmonic element, placing the melodic invention of the first part into its traditional context. Unless you're planning to write Gregorian chant or solo voice Appalachian ballads, your melodies interact

with, and are to a certain extent a function of, the underlying harmony. Tension tones, and the influence of target and bass tones are explored. Gradually the integration of harmony and melody unfolds and a set of tools are demonstrated for creating

both chord progressions and corresponding melody. Indeed, much of this material is as applicable to jazz improvisation and composition as it is to songwriting.

The author assumes you're familiar with musical notation and the harmony illustrations are keyboard-oriented, so if you're a guitarist you'll have to adapt the chord symbols to your own voicings.

The harmonic vocabulary covers a broad range of musical styles and should be familiar to rock/pop musicians as well as those interested in jazz/show tunes. There are a number of references to well-known songs, but in contrast to Jimmy Kochulis' books, Perricone relies somewhat less on examples and possibly

more on the individual's own initiative. He assumes you've got the listening background and experience and have confidence beyond the phase of literal imitation (a phase that's nothing to be ashamed of and has been the starting point for most composers throughout history).

There's a tremendous amount of useful material here for those willing to work at it. This is not a "write a hit song in 21 days"-type of book. It's a serious composition text that will reward serious study.

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Senin, 11 Maret 2013

[D826.Ebook] Fee Download Family Medicine PreTest Self-Assessment And Review, Third Edition, by Doug Knutson

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Family Medicine PreTest Self-Assessment And Review, Third Edition, by Doug Knutson

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Family Medicine PreTest Self-Assessment And Review, Third Edition, by Doug Knutson

The closest you can get to seeing the USMLE Step 2 CK without actually taking it

Family Medicine: PreTest Self-Assessment & Review is the perfect way to assess your knowledge of Family Medicine for the USMLE Step 2 CK and shelf exams. You'll find 500 USMLE-style questions and answers that address the clerkship's core competencies along with detailed explanations of both correct and incorrect answers. All questions have been reviewed by students who recently passed the boards and completed their clerkship to ensure they match the style and difficulty level of the exam.

  • 500 USMLE-style questions and answers
  • Detailed explanations for right and wrong answers
  • Targets what you really need to know for exam success
  • Student tested and reviewed

  • Sales Rank: #95016 in Books
  • Published on: 2012-03-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.40" h x .70" w x 5.50" l, .83 pounds
  • Binding: Paperback
  • 336 pages

About the Author

Doug Knutson, MD is Vice President of Medical Education at Riverside Hospital Doug Knutson, MD is Vice President of Medical Education at Riverside Hospital in Columbus, Ohio. He is also an Assistant Professor of Family Medicine at Ohio State University College of Medicine and Public Health in Columbus, Ohio, where he formerly served as the Director of the Family Medicine Residency Program at OSU.

Most helpful customer reviews

8 of 8 people found the following review helpful.
Kindle version better than the hardcopy
By Amazon Customer
I used this for the FM shelf a few years ago. Bought the new kindle edition when the third edition came out. I like it a lot more. One of the annoying things about the hard copy was having to skip back and forth between the text and answers. Kindle version is easier, just click on the number, then click back. I have had a bit of trouble sometimes if I try to click the number and the kindle thinks I'm trying to change pages though. So for that reason I give it 4 stars. Not quite enough info for the FM boards, but good for shelf. There isn't really a good book for the shelf, this is pretty close.

6 of 6 people found the following review helpful.
Garbage
By FrankGre
The questions are poorly written, often do not present conditions well, and explanations are lacking.

Would not use this again for the Shelf Exam. Would use AAFP questions, NMS Q book for question resources.

8 of 9 people found the following review helpful.
Good preparation for shelf exam, good for kindle
By BinYong
I found this book very helpful as a question-book to help me study for the family medicine shelf exam. The questions are challenging and the answers provide good explanations. I have the kindle version, and it works great for the e-reader. You can just tap on the question number to switch between questions and answers-- something I haven't found optimized in some other e-reader question books.

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Minggu, 10 Maret 2013

[Q296.Ebook] Download PDF Developing Intercultural Awareness: A Cross-Cultural Training Handbook, by L. Robert Kohls, John M. Knight

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Developing Intercultural Awareness: A Cross-Cultural Training Handbook, by L. Robert Kohls, John M. Knight

Developing Intercultural Awareness: A Cross-Cultural Training HanDavies-Blackook is a rich resource for cross-cultural training. Drawn from the authors' experience, this guide contains simulation games, case studies, icebreakers and other training activities for developing cross-cultural awareness in virtually any setting. Robert Kohls and John Knight have mapped out one- and two-day workshops for those looking for preplanned programs, and the book's appendices include guides to simulation games, films and further readings. In this second updated edition, new and dynamic activities have been added to the array of material already present in the book, and the authors have ensured the relevance and timeliness of these cultural activities. This easy-to-use guide is both an excellent companion to The Survival Kit for Overseas Living and an extremely valuable resource for those looking to train others or simply educate themselves in order to become more culturally aware.

  • Sales Rank: #665490 in Books
  • Brand: Brand: Nicholas Brealey Publishing
  • Published on: 2004-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .25" w x 6.00" l, .55 pounds
  • Binding: Paperback
  • 160 pages
Features
  • Used Book in Good Condition

About the Author
L. Robert Kohls is is also the author of the bestselling title Survival Kit for Overseas Living and Learning to Think Korean and coauthor of Training Know How for Cross-Cultural and Diversity Trainers with Herb Brussow.

Most helpful customer reviews

0 of 0 people found the following review helpful.
One Star
By S.Wilson
Not what I expected at all! Description was very deceptive!

56 of 58 people found the following review helpful.
Excellent Resource for Intercultural Trainers
By Karen Lee Craig
"Beyond Experience" is a book full of different activites to be used in an intercultural training session. One of its very useful features is a full outline of a training design, with timeframe included, which incorporates the activities mentioned in subsequent pages. Trainers with more experience can use this as a base, bringing in other relevant material.
The training activities described tend to fall more on the "culture-general" instead of "culture-specific" side, and are mainly designed for U.S. participants who are planning on traveling or living abroad, or are in contact with other cultures in the United States. The activities are also mainly for those who have limited exposure to other ways of thinking and perceiving the world. Through examining U.S. proverbs and the values that are held by the participants, the aim of the activities is to challenge assumptions and pave the way for a more successful intercultural experience.

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Senin, 04 Maret 2013

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I Can Mend Your Broken Heart by Hugh Willbourn (2006-12-04), by Hugh Willbourn; Paul McKenna;

  • Published on: 1800
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